AMAR

Poema AMAR  Autoria de Dália Agostinho / me :) Música: Relaxing PanPipes Este lindo poema, escrevi-o há alguns anos atras (10 anos sensivelmente), tinha apenas 17 anos, Eu escrevi, e dei-o a uma grande amiga de infância (Carina) qúe só há pouco tempo encontrei :) Felicidade :) Então após conversa é que ela me falou do meu poema e que ainda o tinha guardado. Então pedi-lhe que mo enviasse, e aqui está , Meu Deus, Na altura devia estar mesmo inspirada, :) Bem espero que gostem ,   Beijinhos,   Dália

AMAR Dalia Agostinho Há quem Ame e quem não Ame! Quando alguém ama, não há quem... a mendigue desse amor, É como uma ferida Que magoa, sara mas deixa marcas. Há quem ame e quem não ame! Se todos amassem, poderiam sentir que o amor é... uma experiência inesquecível, uma oportunidade para todos de amar e voltar a amar, não ignoremos esse facto... No entanto, só existe um amor verdadeiro, aquele que nos completa e que nos une. Há quem Ame e quem não Ame! É uma afirmação traiçoeira, porque no fundo, bem no fundo, de uma forma ou de outra todos nós amamos Eu AMO! Setubal, 1997 Dalia Agostinho http://www.youtube.com/watch?v=j6dSbeJiwZw

How Women in Timor-Leste Are Gaining Economic Independence

Adriana Araujo Lopes (right), self-help group leader, preparing a bean stew with fresh beans from her group's now 12 hectares of land. Photo: UN Women/Betsy Davis

“When you are going through something in your marriage, you think about the kids and how you are going to feed the kids if you don’t have him anymore,” says Rosalina Moniz, an outspoken woman in her 50s from western Timor-Leste. She suffered years of domestic violence, experienced frequent feelings of hopelessness, and felt as if there was no way out.

However, women like Rosalina are now starting their own income-generating activities through self-help groups, which are supported by UN Women and funded by the Department for International Development (DFID), the European Union (EU) and Australian Aid (AusAid). The groups aim to develop diverse businesses to provide financial independence to survivors of domestic violence, widows, single mothers and other community members.

Some of these self-help groups have been in existence since 2008, offering micro-grants to start a variety of small businesses and mentorship through local NGO partners.

Rosalina, who has been living on her own for several years now, used the micro-grant and training from UN Women and its partner organization, the Asia-Pacific Support Collective Timor-Leste (APSC-TL), to start numerous small businesses, from brick-making to food conservation. The one she is most proud of, though, is the garden she started with nine other people.

Her garden, featured in a UN Women article in September 2012, consisted of planters made of bamboo growing a few herbs and small vegetables. Now, the garden is three metres squared and boasts some rarely encountered vegetables in the outlying areas of Timor-Leste.

“We got cabbage seeds from a nearby community and soon, we will be the only group in Holsa village, part of western Timor-Leste, to grow this,” says Rosalina smiling. “We still talk about other things we can do as a group to earn money, and the more people join, the more ideas we have.”

For example, the coy fish pond that was dug and filled in now holds nearly full-sized fish that should be big enough to sell in a month.

Improving food security

“When you work in agriculture, you have to eat while you are standing up and working, but you always have enough to eat,” said Adriana Araujo Lopes, a member of the Patarata self-help group, which now has the largest garden of all the groups, at 10 hectares. “We are happy to have this food too because getting food from the market was always a problem,” she says, spooning fresh bean stew into bowls for members of the group and their guests.

Most self-help groups are made up of survivors of domestic violence, who are also grateful for the passage of the Law against Domestic Violence in 2010. But they had continued difficulty obtaining financial support for themselves and their children in court.

“I always worked; I just didn’t see the money, and buying food was not an option,” Ms. Araujo Lopes said.

With some self-help groups in their third year of operation, food security for these villages seems to be improving. Members continue to ask for more training in different types of agriculture and fish farming, and have been enthusiastically participating in other UN Women-supported training sessions on women in peace building and conflict transformation, on skills such as soap and candle making and nurturing each other not only out of goodwill and community spirit, but also out of a sense of duty to the collective and their group.

“It is all part of empowering women and men to connect with each other and find new ways of supporting their families,” said Laura Abrantes, one of the founding members of APSC-TL, an organization that partners with UN Women to deliver training and mentor self-help groups to continue and innovate by developing new means of economic empowerment.

Veronica Casimira, who partners with UN Women and is a mentor to eight self-help groups, said: “The groups are advancing. The agriculture groups are finally seeing the harvest of the new seeds and varieties of fruit and vegetables that they planted last year, and we are planning to have our first market day soon.”

Several groups will set up a few stalls at the main market in Maliana to begin selling the fruits of their labour by the end of the year.

Due to its success, the UN Women programme will now be expanded to three more areas in Timor-Leste.

by UN Women
February 3, 201412:00 pm
http://www.care2.com/

Dreams and nightmares

Filmmaker Peter Gordon

In 1990 filmmaker Peter Gordon was driving across Ilkley Moor on his way to work at Yorkshire Television where he was a producer-director when he heard a radio interview that would change his life – and eventually alter the course of history for a small South-East Asian nation.

“There was a woman speaking on Woman’s Hour whose husband – an Australian journalist – had been killed, along with his film crew, by the Indonesian army when they invaded East Timor in 1975,” says Gordon, who at the time was working on YTV’s documentary strand First Tuesday. “I had never heard of East Timor and we were always looking for stories so as soon as I got to the office, I found out the name of the woman and went to speak to her the next day.” The Australian journalist was Greg Shackleton and he and his four colleagues were the last western film crew to have filmed in East Timor, a former Portuguese colony, since it had been occupied by Indonesia. In the troubles since the Indonesian occupation around a third of the population had been killed.

Shackleton’s widow Shirley, who had been campaigning on behalf of East Timor since her husband’s death, put Gordon in touch with Tapol, an organisation based in England that was looking at human rights abuses in Indonesia, Cafod (the Catholic Agency for Overseas Development) and Arnold Kohen, a lobbyist for East Timor. Gordon then began to research the area and try to establish links with the Timorese independence fighters who had fled to the mountains when the Indonesian army invaded and they were still hiding out there. He was helped in his research by Oxford University historian Dr Peter Carey, a specialist in East Timor, who introduced him to Kirsty Sword, an Australian based in Oxford who had travelled to East Timor the previous year, so had good local knowledge, and who could speak both Portuguese and the Indonesian language Bahasa. “I spent the next year or so working out what we wanted to do – and what we could do – as well as establishing the veracity of the claims,” says Gordon.

The plan was to take a three person crew – Kirsty, Gordon and a YTV cameraman – to film undercover investigating Indonesia’s occupation of the country and its independence movement. Then Gordon discovered that Max Stahl, a former Blue Peter presenter turned freelance cameraman, was going to East Timor to film on his own. “What he did was to go to places where there was conflict, shoot footage and then sell it to news networks,” says Gordon. “We got in touch with him and asked him to come on board with us.” He agreed and they set off.

“I felt all along that we were taking a calculated risk and the odds were in our favour,” says Gordon. “It was Indonesia’s International Year of Tourism – so it wouldn’t have looked good if something bad had happened to a group of western people – and we had the back-up of everyone back at base in Leeds.” He does admit, however, that there were some hairy moments. “On almost the first night we were there we went to have dinner at a nice hotel in Dili, because as tourists that is what you would do. Some of the waiters came up to us and said ‘we know what you are doing here – good luck’. We didn’t know whether they were spies trying to get something out of us or whether they were involved with the resistance.” On another occasion, after losing his passport, Gordon needed to quickly get to an office to report the loss. “A Timorese guy offered me a lift on the back of his motorbike. Halfway there he stopped – in the middle of nowhere – I wondered what he was going to do, but he just said to me, ‘You have to understand that we are being tortured and killed’. I believed him.” After about three weeks of filming, Gordon decided they had enough footage and he and Kirsty headed for home, stopping off in Australia to interview Timorese refugees, leaving Max behind with the brief to film a Portuguese delegation that was due to arrive.

“I came back to England and started editing the film,” says Gordon. “We didn’t really know where Max was and the next thing I knew, I got a phone call from him saying ‘there will be a package coming to you and I think you will find it very interesting.’” While Max was still in East Timor waiting for the Portuguese delegation, he captured on film something that would reverberate around the world. He was filming a peaceful demonstration by pro-independence protesters at Santa Cruz cemetery in Dili when it was attacked by Indonesian soldiers who shot randomly at the terrified crowds, brutally murdering 250 people. Showing extraordinary courage, Max hid amongst the wounded and continued filming – despite the obvious danger to himself – and then managed to smuggle the tapes out of the country. “When I received the material I set about getting it through to all the news networks everywhere,” says Gordon. “I basically ensured that the material got out round the world and then got back to cutting the film but because of the new material around 50 per cent of what I had already done was replaced by the images of the massacre.”

The completed film – Cold Blood: The Massacre of East Timor – was broadcast on ITV in Yorkshire Television’s First Tuesday strand in January 1992 and was watched by around three million viewers. It was shown in the Houses of Parliament and at the United Nations and went on to win several international awards. Twenty years later, Gordon went back to East Timor to film what had happened to the country in the intervening years – it finally got its independence in 1999 – and also to track the stories of Kirsty and Max. After the first film, Kirsty continued to take an interest in East Timor and began to campaign on behalf of its independence movement. Through this work she got to know guerilla leader Xanana Gusmao, writing to letters to him and later visiting him while he was in an Indonesian prison. They eventually fell in love and married in 2000 and they now have three young sons. Xanana became his country’s first president when East Timor became the first new sovereign state of the 21st century in May 2002. In 2007 he became Prime Minister. Kirsty is not only the First Lady of East Timor but also works tirelessly for the Alola Foundation, a charity she set up in 2001 to help victims of the violence of the Indonesian occupation, and to improve the educational standards in the country. Max, too, has settled in East Timor where he is training young Timorese in filmmaking and creating the country’s national film archive – beginning with the footage he shot in November 1991. “Max is a national hero in East Timor,” says Gordon. “His footage absolutely did change the course of history because for the first time it showed the world what was going on and it couldn’t be denied.”

Entitled Bloodshot: The Dreams and Nightmares of East Timor, the new film revisits the making of the first film and includes excerpts of Max’s harrowing footage of the Santa Cruz massacre. There are interviews with Max, Kirsty, Xanana and some of the former guerillas, as well as with ordinary people who lost relatives in the massacre. It is a very moving account of a nation and a people struggling to heal the wounds of its violent past, while at the same time looking towards the future with hope. There have been disturbances since independence and even an assassination attempt in 2009 on Xanana and the then Prime Minister Jose Ramos-Horta. “I have talked to people who know more about developing countries, especially those that have suffered so much trauma – and it is really early days yet,” says Gordon. “It is still one of the poorest countries in the world and all the divisions that will have been caused by the situation have not been sorted out.” So far, to Gordon’s disappointment, no broadcasters have been interested in buying the film, but he has been showing it at universities and to Timorese communities around the UK. There will be a special screening, 
followed by a Q&A, at Ilkley Playhouse 
next month.

For Gordon going back to make his latest film helped him to realise what an extraordinary experience he had been through when making the first one. “You don’t really reflect on the impact at the time,” he says. “But now I understand that I am really lucky to have had the opportunity to do that – very few of us get the chance to make an impact with what we do. It did make an impact and it did lead to change and I feel really privileged to have been part of that.”

www.yorkshirepost.co.uk

Timor Leste Contacto - RTP Internacional - Dalia Agostinho dia 1 de Fevereiro de 2014

Dia 01 de Fevereiro assista o programa Timor Leste Contacto com transmissão na RTPi Radio Televisao Portuguesa Internacional as 14:15 hora de Lisboa Portugal e 23:15 hora de Dili Timor-Leste.

Timor Leste Contacto é um programa que transmite a vida da comunidade Portuguesa e Timorense residente em Timor e no estrangeiro relatada em reportagens focando pessoas com talento e que se destacam mais no seio deste País.

O Magazine Timor-Leste Contacto é um programa produzido e realizado por uma equipa de jovens luso-falantes, emitido mensalmente, aos Sábado, pela RTP Internacional.

Entre outros temas, o programa mostra a relação histórica de Portugal com Timor: o legado em termos linguísticos, culturais e religiosos e ainda, o perfil de personalidades importantes nesta comunidade, cujo modo de vida continua a reflectir a presença dos portugueses.

A emissão do dia 01 de Fevereiro de 2014 é uma Rubrica que fala da Historia de Vida de Dalia Agostinho, uma jovem Timorense que emigrou para Portugal desde os seus 2 anos de idade.

Dalia Agostinho no Timor Leste Contacto com a RTPi 

Click >> LIVE STREAMING http://www.rtp.pt/play/direto/rtpinternacional Iha dia 1 Fevereiru 2014 Timor Leste Contacto (TLC) ho tranmisaun iha RTPi - Radio Televisao Portuguesa Internasional, tuku 14:15 oras Lisboa Portugal no tuku 23:15 oras Dili Timor Leste, sei fo-sai Historia Moris Dalia nian. Timor Leste Contacto ne'e programa ida neebe transmiti ka fo-sai komunidade portuges no timoroan sira nia moris iha Timor Leste no estranjeiru relata iha reportagens "leno" ema sira ho talentus no destaka-an liu ba rai ne'e. Magazine TLC ne'e programa ida nebe produzidu no realizadu hosi ekipa jovens luso-falantes, fo-sai fula-fulan, Sabadu, husi RTP Internacional. Entre tema sira seluk, programa ne'e hatudu relasaun historika Portugal ho Timor Leste: hare ba aspektus linguisticos, kultura no relijiaun, nomos perfil personalidade importante sira iha komunidade ne'e, ne'ebe ho maneira moris nian sei reflekte nafatin prezensa portugues sira. Emissaun iha dia 01 Fevereiro 2014 ne'e sei hatun rubrika ida nebe koalia konaba Historia Moris Dalia Agostinho nian, jovem timoroan ida nebe emigra ba Portugal ho otas nurak tinan rua (2). Atu hatene liu-tan konaba ita nia jovem ne'e bele hare iha programa magazine Timor Leste Contacto fo-sai iha RTPi LIVE STREAMING. Klik no hare iha ne'e >> 1. Timor Leste Contacto Live Stream http://www.rtp.pt/play/direto/rtpinternacional 2. Programacao RTP Internacional http://www.rtp.pt/rtpinternacional/index.php?headline=19&visual=6